Since the hymn is a setting of Psalm 103, any time this psalm is used in worship, or is the theme of a service, this hymn would be an appropriate and beautiful addition to the service. This hymn is fitting for use during any service that focuses on God’s love and compassion. Pull back on the second verse, gently build through the third, and pull out all the stops (literally or figuratively) on the triumphant fourth verse. Whether you are playing this on organ, piano, or with strings, open with a firm, solid sound. It is important with this tune to modify the accompaniment to fit the text accordingly and to provide some variation. The former hymn tune is by far the favorite, and with good reason according to all this praise. A few hymnals use a tune also called LAUDA ANIMA but written by Mark Andrews in 1930. Paul Westermeyer writes, “It has been praised as one of the finest, if not the finest of the Victorian hymn tunes, and certainly one of the most satisfying for congregations” (Westermeyer, Let the People Sing, 243). A reviewer for the 1869 Musical Times wrote, “It is at once the most beautiful and dignified hymn tune which has lately come under our notice” ( Psalter Hymnal Handbook, 643). LAUDA ANIMA is the Latin for the opening words of Psalm 103 – “Praise, my soul.” It was written by John Goss in 1868 for Lyte’s text. If you sing “Praise him,” you’ll need to sing it four times instead of just twice to fit the tune. Notice that this verse ends with a repeated “Praise him!” rather than “Alleluia!” This is one of only a few textual differences amongst hymnals. Praise him! Praise him! Praise the high eternal One." Most modern hymnals now leave out the original fourth verse, which read: Henry Lyte’s original text consisted of five stanzas. Think of what might happen if we woke up every day with these words on our lips: “Ransomed, healed, restored, forgiven, evermore His praises sing.” How would our lives change if we walked through our days singing “Alleluia!” or through our times of sorrow declaring that we rest in the gentle hand of God? This is a text with beautiful imagery and thoughtful prose that, like Psalm 103, gives us words to praise our God with heart, mind, and soul. One such paraphrase is “Praise, my Soul, the King of Heaven.” Lyte’s text speaks to the love of God and our dependence on Him in a clear and imaginative way. Lyte decided he could maintain the spirit of these beautiful texts while still using his own words, probably with the intention of making the reader see the psalms in a new light. Lyte would have none of this however, and boldly published a book of psalm paraphrases entitled Spirit of the Psalms. Listen to a recording of "My Heart Leaps Up.In the mid-nineteenth century, the pressure was on hymn writers to keep their versifications of psalms as close to the Scriptural text as possible. Article from the British Library expanding upon Romantic ideas about childhood. Get LitChart's analysis of Preface to the Lyrical Ballads, so you can fully understand it. Read Wordsworth's famous essay in which he defends and clarifies his ideas about poetry and articulates some ideals of the Romantic movement. Dorothy kept a detailed diary of the days she spent living with her brother William in Dove cottage. Some entries reveal the context and inspiration for many of the poems in Wordsworth's 1807 collection.
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